Danica Phelps
Preise und Stipendien
Einzelausstellungen (Auswahl)
Gruppenausstellungen (Auswahl)
| 1971 | geboren in New York lebt und arbeitet in Colrain and Brooklyn |
| 1993 | Hampshire College, Amherst |
| 1995 | MFA, Rhode Island School of Design |
| 1994 | Zorach Fellowship to attend Skowhegan School of Painting and Sculpture |
| 1998 | Rema Hort Mann emerging artist grant |
| 2001 | New York Foundation for the Arts: Individual Artists Grant |
| 2005 | John Jones Art Prize, Zoo Art Fair, London |
| 2019 | Galerie Hubert Winter, Vienna (A) |
| 2018 | Luis de Jesus, Los Angelos (USA) |
| 2017 | Galeria Nieves Fernández, Madrid Wheatherspoon Art Museum, University of North Carolina (USA) |
| 2015 | Galerie Werner Klein, Köln (DE) Chicos Income´s Outcome, University Art Gallery, California State University (USA) |
| 2014 | The more poetic side of money, Galerie Laurent Mueller, Paris (FR) Income’s Outcome (part four), Patrick Heide Contemporary Art, London (GB) Income’s Outcome (part three), Galerie Michael Sturm, Stuttgart (DE) |
| 2013 | Income’s Outcome (part two), Dina4Projekte, München (DE) Income’s Outcome (part one), Galeria Nieves Fernandez, Madrid |
| 2012 | The Cost of Love, Brennan & Griffin, New York |
| 2011 | Danica Phelps, Galerie Hubert Winter, Wien (AT) The Cost of Love, Galeria Nieves Fernández, Madrid (ES) Bankrupt, Ritter/Zamet, London (GB) |
| 2009 | Mark Down, Nolan Judin, Berlin (DE) Drawings about the present quickly become works about the past, Kathryn Brennan Gallery, Los Angeles (US) Nesting, Judi Rotenberg gallery, Boston (US) |
| 2008 | Drawings about the present quickly become works about the past, Galleria Glance Turin (IT) Now and Then, Kavi Gupta Gallery, Chicago (US) Saving Time, Galeria Nieves Fernández, Madrid (ES) Getting Ready, Dina4Projekte, München (DE) Stripe Factory, Sister, Los Angeles (US) Material Recovery, Zach Feuer, New York Danica Phelps: This Time last Year, Ritter/Zamet, London (GB) Saving Time, Thirty Seven Degrees, Sydney (AU) |
| 2007 | Stripe Factory, Rotwand, Zurich (CH) |
| 2006 | Drawing Flowers, Dina4Projekte, MĂĽnchen (DE) Stretch, Sister, Los Angeles (US) Two Takes with Debi Ray-Chaudhuri, Allston Skirt Gallery, Boston (US) India: Two Views, project room with Debi Ray-Chaudhuri, Kavi Gupta Gallery, Chicago (US) |
| 2005 | Wake, Zach Feuer Gallery (LFL), New York Integrating Sex Into Everyday Life, Galerie Schütte, Essen (DE) Staub gfzgk*, Zurich (CH) Getting My Money’s Worth, Ritter/Zamet, London (GB) 2 D.s – w/ Debi Ray-Chaudhuri, Kavi Gupta Gallery, Chicago (US) |
| 2004 | Integrating Sex into Everyday Life, Allston Skirt Gallery, Boston (US) Writers Trade, Falconer Gallery, Grinnell (US) Danica Phelps, Judi Rotenberg Gallery, Boston (US) Integrating Sex into Everyday Life, Sister, Los Angeles (US) Danica Phelps, Galerie Hubert Winter, Wien (AT) Danica Phelps, Art House, Austin (US) Walking: From Los Angeles to San Fransisco, Allston Skirt Gallery, Boston (US) |
| 2003 | Integrating Sex into Everyday Life, LFL Gallery, New York Ten Day Trade, OR Gallery, Vancouver (CA) |
| 2002 | Walking 9-5 Amsterdam, Annet Gelink Gallery, Amsterdam (NL) New Drawings, Galerie SchĂĽtte, Essen (DE) Artist, Collector, Curator, Spy, LFL Gallery, New York |
| 2001 | Trade Two, LFL Gallery, New York |
| 2000 | From Barcelona to Krems, Galerie Stadtpark, Krems (AT) 2nd Generation, Herter Gallery: UMASS, Amherst (US) Bill Trip, Maine Center for Contemporary Art, Rockport (US) Bill Trip, Project Room, Roberts & Tilton, Los Angeles (US) Walking: From Los Angeles to San Fransisco, Michael Martin Gallery, San Francisco (US) |
| 1998 | Funny Money, Jack Tilton Gallery, New York |
| 1994 | A Housewife at Work, Sol Koffler Gallery, RISD, Providence (US) |
| 2020 | 2000-2020, 20 Jahre Galerie Werner Klein, Köln Die Vielfalt der Farbe, Galerie Werner Klein, Köln |
| 2018 | Zeit-Zeichnen, Galerie Werner Klein, Köln (DE) |
| 2016 | Zeichnungsräume, Hamburger Kunsthalle, Galerie der Gegenwart, Hamburg |
| 2015 | The Human Condition, MAK Wien |
| 2014 | Farbe und System, Galerie Werner Klein, Köln (DE) The Lightning Speed of the Present, 808 Gallery, Boston University, Boston (US) Creativity at Work, Sun Valley Art Center, Sun Valley, Idaho (US) |
| 2013 | Zeichnung 13, Galerie Michael Sturm, Stuttgart (US) Doule Take, Mills College Art Museum, Oakland (AU) Face Value: The Portrait in Contemporary Art, Kentucky School of Art, Louisville (US) The Drawing Room, Ursula Blickle Stiftung, Kralchtal-Unterowishelm (US) (traveled to Galerie im Taxispalais, Innsbruck (AT) Artists’ Walks: The Persistence of Peripateticism, Dorsky Gallery, New York Hawk and Handsaw: Twenty Who Knew the Difference, Center for Maine Contemporary Art, Rockport (US) Kunst und Neue Arbeitswelt, Stadtische Galerie Waldkraiburg, Waldkraiburg (US) |
| 2012 | Storytelling in Contemporary Drawing, Museum Folkwang, Essen (DE) |
| 2011 | Selections from the Collection, DePauw University, Greencastle (US) Drawings on Hands, Print Room, Rotterdam (NL) BROODWORK: It’s About Time, Otis Ben Maltz Gallery, OTIS College of Art and Design, Los Angeles (US) |
| 2010 | Day-to-Day (PHOTOS): Artists’ Daily Practices, Martos Gallery, New YorkThe Philosophy of Money, White Pavilion of the Lisbon City Museum, Lisbon (PT) Desire, Blanton Museum of Art, The University of Texas, Austin (US) Pictures about Pictures, Museum Moderner Kunst Stiftung Ludwig, Wien (AT) Hampshire College 40th Anniversary Alumni Art Exhibition, Hampshire College, Amherst (US) In Transit, Rotwand, Zurich (CH) Slightly Unbalanced, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Richmond (US) Everyday(s), Casino Luxembourg – Forum d’art contemporain, Luxembourg (LU) |
| 2009 | Slightly Unbalanced, Hunington Museum of Art, Huntington, WV; Paul and Lulu Hilliard University Art Museum, Lafayette (US) |
| 2008 | Sign/Age: Lost in the Supermarket, Armand Bartos Fine Art, New York When a clock is seen from the side it no longer tells the time, Johann König, Berlin (DE) New Language, Ogilvy & Mather, New York The Enterprise of Art, Palazzo delle Arti Napoli, Naples (IT) Linear Perspectives, Center for Maine Contemporary Art, Rockport Collecting & Collectivity, Conduit Gallery, Dallas (US) Slightly Unbalanced, Chicago Cultural Center, Chicago, IL; Museum London, Ontario (US); Huntington Museum of Art, Huntington (US); Paul and Lulu Hilliard University Art Museum, Lafayette (US); Joel and Lila Harnett Museum of Art, University of Richmond Museums, Richmond (US) A Matter of Time, Andrea Meislin Gallery, New York |
| 2007 | Perspectives 159: Superconscious, Automatisms Now, Contemporary Museum of Art, Houston (US) Skirting the Line: Conceptual Drawing, The New Center for Contemporary Art, Louisville (US) Drawing is a verb, Coleccao Madeira Corporate Services, Porta 33, Itha da Porta (PT) The Price of Everything… Perspectives on the Art Market, City University of New York Graduate Center, New York Ceci n’est pas… (this is not…), Sara Melltzer Gallery, New York Tease, MNireille Mosler, Ltd., New York Warhol & …, Kantor/Feuer, Los Angeles (US) Summer Group Show, Galleria Glance, Turin (IT) Minimalism and Applied, DaimlerChrysler Contemporary, Berlin (DE) Don’t Look: Contemporary Drawings from an Alumna’s Collection, Martina Yamin, Class of 1958, Davis Museum and Cultural Center at Wellesley College, Wellesley (US) A Great Delicacy, Taylor De Cordoba Gallery, Los Angeles (US) |
| 2006 | Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum of Art, Cornell University, Ithaca (US) I’m Busy, GAK Gesellschaft für Aktuelle Kunst, Bremen (DE) Particulate Matter, Mills College Art Museum, Oakland (AU) Walking & Falling, Magasin 3 Konsthall, Stockholm (SE) Skirting the Line: Conceptual Drawing, DePauw University, Greencastle Group show, Studio Guenzani, Milan (IT) |
| 2005 | The General’s Jamboree, Guild and Greyshkul, New York Dating Data, Josee Bienvenu Gallery, New York Linien Zeichnung, Dina4Projekte, München (DE) 22 Anniversary, Jack Tilton Gallery, New York |
| 2004 | Emotions, Guild & Greyshkul, New York Wiener Linien, Wien Museum, Wien (AT) Dessin et Des Autres, Catherine Bastide, Brussels (BE) California Earthquakes, Daniel Reich Gallery, New York Erotic Drawings, Aldrich Museum of Art, Ridgefield (US) Self Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln (US) Open, Brooklyn Museum of Art, Brooklyn (US) Home, D.U.M.B.O. Arts Center, Brooklyn (US) Art As Autobiography, Rare Gallery, New York Sexy Beast, Ethan Cohen Fine Art, New York 9th Drawing Invitational, Arkansas Arts Center, Little Rock (US) Kunsthalle Exnergasse, Wien (AT) Neoqueer, Center of Contemporary Art, Seattle (AU) Brooklyn Museum of Art, Brooklyn (US) Farnsworth Museum of Art, Rockland (US) |
| 2003 | I’m nothing with out you, Platform Gallery, Istanbul (TR) Frankenstein, Tanya Bonakdar Gallery, New York Fresh Meat, Cepa Gallery, Buffalo (US) Living Inside the Grid, New Museum of Contemporary Art, New York For the Record: Drawing Contemporary Life, Vancouver Art Gallery, Vancouver (CA) Walking Rhetorics, Galerie Hubert Winner, Wien (AT) New York Drawings, Samuel Harn Museum of Art, University of Florida, Gainesville (US) Subscribe, Bard Center for Curatorial Studies, Annadale (US) |
| 2002 | Bootleg Identity, Caren Golden Fine Art, New York Special Needs, Verein fĂĽr Bildende Kunst, Graz (AT) |
| 2001 | Domestic Culture, ICA at MECA, Portland (US) Contemporary Narratives, Skidmore College, Saratoga Springs (US) Brooklyn!, ICA at Palm Beach, Palm Beach (US) Going:, Urban Institute of Contemporary Art, Grand Rapids (US) No where Fast, Lizebeth Oliveria Gallery, Oakland (AU) In Transit, Vacancy Gallery, Bronx (US) Inside the City, Gallery 400, UIC, Chicago (US) Another Cusp, Gallery of Colgate University, Hamilton (US) Let’s Get to Work (travel), Susquehanna Art Museum, Harrisburg (US) |
| 2000 | Vida Politica, (cat.) SALA MONTCADA “la Caixa”, Barcelona (ES) To Be Continued…, Art in General, Bellwether, Parlor Projects, Brooklyn |
| 1999 | Time and Duration, Angels Gallery, Santa Monica (US) 100 Drawings, PS1, New York Gallery Artists, Jack Tilton Gallery, New York Document, Hampshire College, Amherst (US) |
| 1998 | Inventory, White Columns, New York |
| 1995 | The Body Politic, Maine Coast Artists, Rockport (US) Subjectifying Objects, Mobilizing Objects, Artemesia Gallery, New York These Fantasies are Normal, HERE Gallery, New York Arbeiten in öffentlichen und privaten Sammlungen (Auswahl) Arkansas Arts Center, Little Rock (US) Brooklyn Museum of Art, New York (US) Colecção Madeira Corporate Services, Itha da Porta (ES) Daimler Art Collection, Berlin (DE) Farnsworth Art Museum, Rockland (US) Graphische Sammlung Städel Museum, Frankfurt (DE) Hamburger Kunsthalle (DE) Hammer Museum, Los Angeles (US) Herzog Anton Ulrich Museum, Braunschweig (DE) Jean Marc Salomon Fondation Pour L´Art Contemporain (FR) Kunsthalle Bremen (DE) Magasin 3 Konsthall, Stockholm (SE) Museum Kunst Palast, Düsseldorf (DE) Seattle Art Museum, Seattle (US) Tang Teaching Museum, Saratoga Springs, New York (US) The West Collection (US) University of New Mexico Art Museum, Albuquerque (MX) Wien Museum, Wien (AT) Yale Art Museum Collection, New Haven (US) |